A Day at Frieze London
One of the things I appreciate most about art fairs is the opportunity to encounter so many different artistic perspectives in one place. Frieze London is particularly interesting in this regard, bringing together an extraordinary range of contemporary practices, artistic approaches, and visual languages.
Walking through the fair, I am always reminded that experiencing art is rarely a predictable process. Some works demand your attention immediately, whether through their scale, composition, or use of materials. Others require a closer look, gradually revealing details and ideas that might not be apparent at first glance. And sometimes, the works that stay with you long after leaving the fair aren’t necessarily the ones you expected to be drawn to.
What makes these encounters especially rewarding is the opportunity to discover unfamiliar artists alongside more established names, to observe how different practices speak to one another, and to consider works outside the context of a traditional gallery exhibition.
For me, visiting an art fair is as much about looking and discovering as it is about collecting. It is an opportunity to refine one’s eye, reconsider personal preferences, and remain open to unexpected connections.
I’ve put together a selection of works that caught my attention during this year’s Frieze London. Rather than attempting to offer a comprehensive overview of the fair, this is a personal record of some of the artistic encounters I found particularly interesting.
More from Frieze to follow.
Behind me:
Myrlande Constant “Sekou la de” 2026
Beads and sequins on fabric
Gallery: Fort Gansevoort @fortgansevoort
Sylvie Fleury. “Powdered” 2024.
Mannequin legs, car paint and raincoat
Gallery: Sprüth Magers
Alexander Archipenko
Ballerina, 1957
Copper, wood, metal, paint
Yayoi Kusama “Pumpkin Army”, 1994. Etching on Arches paper. Archeus / Post-Modern | Frieze Masters.
Frank Stella “The Funeral”, 1992. Shapero Modern | Frieze Masters.
Kay WalkingStick “Solstice”, 1982. Hales Gallery | Frieze Masters
Auguste Rodin “Psyche Illuminating Cupid”, 1899. Marble. Willoughby Gerrish | Frieze Masters.
Alice Neel (1900-1984)
Arthur Bullowa, c. 1960
Oil on canvas
Jang Pa (b.1981)
Gore Deco. The Laughing Orifice #2
2025
Oil on linen
KUKJE GALLERY
Yayoi Kusama
1978
Visionary Wave Crest
Enamel and acrylic on canvas
Gallery ARCHEUS / POST-MODERN
Ai Weiwei
Untitled, 1983
Oil and acrylic on canvas
V
ITO SCHN
ABEL
Izumi Kato. “Untitled” 2026.
Oil on canvas
Gallery: Perrotin
Morag Keil. “House” 2026.
Mannequin, clothes, plastic doll’s house, wood, cables and camcorder
Gallery: Arcadia Missa
MORE discoveries in my instagram feed and highlights