Frieze London 2026

A Day at Frieze London

One of the things I appreciate most about art fairs is the opportunity to encounter so many different artistic perspectives in one place. Frieze London is particularly interesting in this regard, bringing together an extraordinary range of contemporary practices, artistic approaches, and visual languages.

Walking through the fair, I am always reminded that experiencing art is rarely a predictable process. Some works demand your attention immediately, whether through their scale, composition, or use of materials. Others require a closer look, gradually revealing details and ideas that might not be apparent at first glance. And sometimes, the works that stay with you long after leaving the fair aren’t necessarily the ones you expected to be drawn to.

What makes these encounters especially rewarding is the opportunity to discover unfamiliar artists alongside more established names, to observe how different practices speak to one another, and to consider works outside the context of a traditional gallery exhibition.

For me, visiting an art fair is as much about looking and discovering as it is about collecting. It is an opportunity to refine one’s eye, reconsider personal preferences, and remain open to unexpected connections.

I’ve put together a selection of works that caught my attention during this year’s Frieze London. Rather than attempting to offer a comprehensive overview of the fair, this is a personal record of some of the artistic encounters I found particularly interesting.

More from Frieze to follow.

Behind me:

Myrlande Constant “Sekou la de” 2026

Beads and sequins on fabric

Gallery: Fort Gansevoort @fortgansevoort

Sylvie Fleury. “Powdered” 2024.

Mannequin legs, car paint and raincoat

Gallery: Sprüth Magers

Alexander Archipenko

Ballerina, 1957

Copper, wood, metal, paint

Yayoi Kusama “Pumpkin Army”, 1994. Etching on Arches paper. Archeus / Post-Modern | Frieze Masters.

Frank Stella “The Funeral”, 1992. Shapero Modern | Frieze Masters.

Kay WalkingStick “Solstice”, 1982. Hales Gallery | Frieze Masters

Auguste Rodin “Psyche Illuminating Cupid”, 1899. Marble. Willoughby Gerrish | Frieze Masters.

Alice Neel (1900-1984)

Arthur Bullowa, c. 1960

Oil on canvas

Jang Pa (b.1981)

Gore Deco. The Laughing Orifice #2

2025

Oil on linen

KUKJE GALLERY

Yayoi Kusama

1978

Visionary Wave Crest

Enamel and acrylic on canvas

Gallery ARCHEUS / POST-MODERN

Ai Weiwei

Untitled, 1983

Oil and acrylic on canvas

V

ITO SCHN

ABEL

Izumi Kato. “Untitled” 2026.

Oil on canvas

Gallery: Perrotin

Morag Keil. “House” 2026.

Mannequin, clothes, plastic doll’s house, wood, cables and camcorder

Gallery: Arcadia Missa

MORE discoveries in my instagram feed and highlights